As individual objects, nothing lights a spark.
They could be seen as random choices… a gown selection based on color, sheet music on what is at the top of my music stack, the mirror not yet re-hung as a result of Manny’s home renovations. Add to that a doll and cello in the background and an artistic vision that transcends my visual imagination, however, and the story begins to unfold.
I cannot yet share images from last week’s photo shoot. But I am enough compelled – and moved – by what I learned to share at least the immediate ripple effects in hopes of not being thought a tease.
The Story in this Moment
As much as I have become an accomplished runner, striding ever further from my classical past, I have now stopped in my tracks to ask myself, “What am I running from?”
I love especially baroque and mid-20th century classical music.
If I had to choose a single composer as my favorite, it would be Bach – no hesitation. Any time I play a piece by Bach or Vivaldi, I feel elevated beyond my physical body sitting in the chair.
…at least until I consider the “correct” performance practice articulations, how to try to turn my modern cello’s sound into that of a viola de gamba, or whether the voices of teachers past would approve of my timing, my interpretation.
And now I come closer to the source.
I have allowed my education and mentors inside my head. I have retained their teachings like stagnant water. I have accepted hours of editing countless takes into a perfect recording as my live performance standard.
No More OPO’s Desired
Now that I have stated this in writing – to the world – there is no going in reverse. It is time for me to begin cleaning out the cobwebs of other peoples’ opinions (aka OPO’s) from the source of my musical and creative inspiration. I chose the cello because of classical music. I will henceforth honor this tradition. And make it my own.
That sheet music I brought to the photo shoot was a string trio by Vivaldi. Seeing that symbolism, I will begin this process by turning it from a string trio into a cello solo with loops. It will sound completely classical but will be an effective use of technology and innovation (and my skills as a contemporary performer).
I look forward to sharing images – and some great music – with you soon. And thank you as always, Manny, for your inspiration.
Ms. Dewberry, an accomplished cellist, completed her DMA in Chamber Music Performance from UCLA in December 2005. She received her MM in Cello Performance from UCLA in June 2002 and her B.M. in Cello Performance from Western Michigan University in April 1998. She also holds a B.A. in French with a minor in Women's Studies and Philosophy.
Her website is www.carterdewberry.com
She may be contacted at carter@carterdewberry.com
