An Unexpected Pleasure

Frédérik SisaA&E, Film

Review of 'The Hobbit: An Unexpected Journey' – Time has passed since Jackson first materialized Middle Earth in a trilogy of films that made pure fantasy fashionable again, although I’ll stick with the Harry Potter films as the superior accomplishment. My opinion of Tolkien’s work hasn’t changed – imagination and exhaustive attention to detail put to the service of a dull and shallow narrative – yet I’ve come to appreciate that imagination and detail through Jackson’s breathtaking rendition of Tolkien’s universe.

The Lorax: Seuss, Speech, Marketing, and Orange as the New Green

Frédérik SisaA&E, Film

The Lorax is not a great film, nor is it the best adaptation of Dr. Seuss’s book that one might envision. It is, however, as gently entertaining as it is unapologetic in its stance; a colourful, silly, melancholy, hopeful, stinging and, ultimately, accessible film.

Nine Pillars; Few Legs to Stand On

Frédérik SisaA&E

A review of The Nine Pillars of History: An Anthropological Review of History, Five Religions, Sexuality and Modern Economics, All as a Guide for Peace.

‘A Raisin in the Sun’ Heats Up the Kirk Douglas Theatre

Frédérik SisaA&E, Theatre

It always puzzles me when fellow critics take notes during a performance. I’ll notice them scribbling away on their note pads or in the margins of the press kit – sometimes sedately, sometimes madly – and wonder how they can possibly foster an osmotic relationship with the performance.

W.E. Won’t Rock You

Frédérik SisaA&E, Film

It’s not a good sign when you suspect filmmakers are lying to you. W.E.’s credits list Abbie Cornish in the role of a maritally distraught New Yorker obsessed with the scandalous love affair between the Once and Never More King of England, Edward VIII, and American Wallis Simpson. But throughout the film I wondered what Charlize Theron was doing slumming around in the glassy lead role when surely there was a better film elsewhere for her to inhabit.

Through A Mirror, Bloodily: A Review of Alice: Madness Returns (Part 2)

Frédérik SisaA&E, General Art

It would be easy to end the discussion with the game’s art and design, oooing at each character’s presentation, aaaahing at every level’s aesthetic, staring with wide-eyed excitement at the stylish animated cut scenes; such is the game’s rich artistry and sophisticated storytelling…But this is a game, after all, and while the quality of the art is beyond question the game’s greatness in terms of gameplay washes out in a mix of brilliance and nuisance, with enough of the former to mitigate frustrations with the latter.